A sensation arises in us under the most favorable conditions for
observation when it is caused by an external sense-stimulus, as, for
example, a tone-sensation from an external tone-vibration, or a light-
sensation from an external light-impression. The idea of an object is
always caused originally by the more or less complicated cooperation of
external sense-stimuli. If we wish to study the way in which an idea is
formed, we can choose no other method than that of imitating this natural
process. In doing this, we have at the same time the great advantage of
being able to modify the idea itself by changing at will the combination of
the impressions that cooperate to form it, and of thus learning what
influence each single condition exercises on the product.
Memory-images, it is true, cannot be directly aroused through external
sense impressions, but follow them after a longer or shorter interval.
Still, it is obvious that their attributes, and especially their relation
to the primary ideas through direct impressions, can be most accurately be
learned, not by waiting for their chance arrival, but by using such memory-
ideas as may be aroused in a systematic, experimental way, through
immediately preceding impressions. The same is true of feelings and
volitions; they will be presented in the form best adapted to exact
investigation when those impressions are purposely produced which
experience has shown to be regularly connected with affective and
volitional reactions.
There is, then, no fundamental psychical process to which experimental
methods can not be applied, and therefore none in whose investigation they
are not logically required.
...
... it is impossible to explain the character of sensations from the
character of physical and physiological stimuli. Stimuli and sensations can
not be compared with one another at all; the first belong to the mediate
experience of the natural sciences, the second to the immediate experience
of psychology.
An interrelation between sensations and physiological stimuli must
necessarily exist, however, in the sense that different kinds of
stimulation always correspond to different sensations.
This principle of the parallelism of changes in sensation and in
physiological stimulation is an important supplementary principle in both
the psychological and physiological doctrines of sensation. In the first
case it is used in producing definite changes in the sensation by means of
intentional variation of the stimulus; in the second it is used in
inferring the identity or non-identity of physiological stimulations from
the identity or non-identity of the sensations. Furthermore, the same
principle is the basis of our practical life and of our theoretical
knowledge of the external world.
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