Transcendental aesthetic
Sensation is the actual affection of our sensibility, or capacity of
receiving impressions, by an object.
[Sensation is the affect of an object on our ability to receive
impressions.
The perception which refers itself to an object through sensation, is
empirical perception. The undetermined object of such a perception
is a phenomenon (Erscheinung).
[We will call the perception of the object through sensation "empirical
perception". The object itself (as distinct from our perception of it) we
will call the "phenomenon"
That element in the phenomenon which corresponds to sensation I call the
matter, while that element which makes it possible that the various
determinations of the phenomenon should be arranged in certain ways
relatively to one another is its form.
Not everything that we perceive (see, hear, feel etc)
about an object comes from the object. The elements (parts) that do, we
will call the "matter". But our mind arranges the sensations in a
particular way, which we will call the "form"
Now, that without which sensations can have no order or form, cannot itself
be sensation. The matter of a phenomenon is given to us entirely
a posteriori, but its form must lie
a priori in the mind, and hence it must be capable of
being considered by itself apart from sensation.
This pure form of sensibility is also called pure perception. Thus, if from
the consciousness of a body, I separate all that the understanding has
thought into it, as substance, force, divisibility, etc., and all that is
due to sensation, as impenetrability, hardness, colour, etc.; what is left
over are extension and figure. These, therefore, belong to pure perception,
which exists in the mind a priori, as a mere form of sensibility, even when
no sensation or object of sense is actually present
The science of all the a priori principles of sensibility I call
Transcendental Aesthetic, in contradistinction from the science of
the principles of pure thought, which I call Transcendental Logic.
In Transcendental Aesthetic we shall first of all isolate sensibility,
abstracting from all that the understanding contributes through its
conceptions, so that we may have nothing before us but empirical
perception. In the next place, we shall separate from empirical perception
all that belongs to sensation ; when there will remain only pure
perception, or the mere form of phenomena, the sole element that
sensibility can yield a priori. If this is done, it will be found that
there are two pure forms of sensible perception, which constitute
principles of a priori knowledge, namely, Space and Time. With these it
will now be our business to deal.